Time to stop using lemmy.world communities, fellas.

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Joined 5 months ago
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Cake day: March 8th, 2025

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  • You could set your story in a historical setting in which the countess and the gardener are truly forbidden from passion, or a fantasy world where the ogopogos and sasquatches are sexy rivals.

    The amount of pirates on the covers of romance novels is the direct result of this.

    Or just have a lukewarm type of forbidden-ness, like “his family’s greeting-card store is in competition with my family’s greeting-card store” or “we’re coworkers.”

    And the hallmark channel answer. I had a coworker who would watch those every single day. I vomit at the visuals (how do they get them so consistent and apparent? You can tell just from the opening shots and title!) of a hallmark to this day.


  • I mean, that was bad, but I hated the movie more for turning it into feel-good drivel about the boss actually being kind and caring about her employee(s). The book ending, where the character realized her own self worth and started making her own decisions, was so much better than the american bullshit about putting up with a boss’ bullshit because they’re actually such good people and will throw a few dollars off the balcony for you to catch.


  • Yes, thank you! I’d extend it to more than just being stupid. That sentiment applies equally to just about every fictional work. Using atlas shrugged to cheer whatever the fuck rand was trying to push is just as foolish as using a separate peace for examples of codependence.

    Fiction can highlight things, but when any author can make gay space communism and super-straight ™ capitalism equally viable and good for the individuals operating under their systems by simply writing a sentence like, “The super-straight capitalismo empire had citizens every bit as happy and fulfilled as the gay space communitarians across the river,” then maybe all the english language arts teachers should take a deep breath and step back from their fart sniffing on the soap box.



  • I enjoy it, but not nearly as much as helluva boss. It was too much like children’s programming, where the solution/chekhov’s gun/learning-through-song experience didn’t feel like it naturally flowed.

    spoiler

    Examples: Ep.1 of helluva, where moxie debates shooting a family, then the show ends with him shooting the chica after being surprised, chased, captured, and had torture intimated before finally getting his demon dick out and acting like one, didn’t feel overly contrived. Ep. whatever of hazbin, where maggie has a sing-dance-fight with the angel weapon wrapped feet and suddenly becomes all able to fight, it just felt cheesy. :::